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home·artworks·The Delaware Valley
The Delaware Valley by Fern Coppedge

plate no. 5594

The Delaware Valley

Fern Coppedge

oilImpressionismlandscapelandscapesnowbuildingstreesriverhills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light affects the appearance of snow and buildings. It also provides practice in capturing the essence of a landscape with expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and hills.

  2. step 02

    Establish the sky and water with broad strokes, using a mix of blues, greens, and whites.

  3. step 03

    Block in the larger shapes of the hills and snow-covered areas, paying attention to the light and shadow.

  4. step 04

    Begin adding details to the buildings, using a variety of colors to suggest different materials and textures.

  5. step 05

    Paint the trees, focusing on their bare branches and the way they intersect with the sky.

  6. step 06

    Add highlights and shadows to the snow, using cool blues and purples to create depth.

  7. step 07

    Refine the details of the foreground, including the snow-covered ground and any visible rocks or vegetation.

  8. step 08

    Make final adjustments to the colors and values to create a sense of harmony and balance.

color palette

primary · cerulean blue · titanium white · yellow ochre · burnt sienna

secondary · ultramarine blue · cadmium red · viridian green

Mix blues and whites for the sky and snow shadows. Use yellow ochre and burnt sienna for the buildings and tree branches. Add small amounts of red and green to create variations in the snow and foliage.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating mud by overmixing colors.
  • →Ignoring the effects of light and shadow on the snow.
  • →Failing to establish a clear focal point.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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