apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Defense of the Sampo
The Defense of the Sampo by Akseli Gallen-Kallela

plate no. 2999

The Defense of the Sampo

Akseli Gallen-Kallela, 1896

temperaArt Nouveau (Modern)mythological paintingfiguresboatwatermythological creaturebattlesky
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with multiple subjects, and creating a sense of movement and action. It also provides practice in color mixing to achieve the muted, earthy tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, boat, and the mythological creature.

  2. step 02

    Block in the main shapes and colors, starting with the background sky and water.

  3. step 03

    Develop the figures, paying attention to their anatomy and poses.

  4. step 04

    Add details to the boat and the mythological creature, including textures and patterns.

  5. step 05

    Refine the colors and values, creating depth and dimension.

  6. step 06

    Add highlights and shadows to enhance the sense of form.

  7. step 07

    Paint the details of the faces and weapons.

  8. step 08

    Apply final touches and corrections.

color palette

primary · ochre · olive green · ivory black · titanium white

secondary · cerulean blue · burnt umber · yellow ochre

Use a limited palette and mix colors to achieve the muted, earthy tones. Mix greens by combining blues and yellows with touches of brown. Create highlights by adding white to existing colors.

techniques

  • ·figure drawing
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Creating a flat, lifeless composition.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of movement and action.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or tempera paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Tempera is the original medium, but acrylics can be used as a more accessible alternative. Use a canvas with a smooth surface for better detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois