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home·artworks·The Deeds of the Antichrist
The Deeds of the Antichrist by Luca Signorelli

plate no. 7102

The Deeds of the Antichrist

Luca Signorelli, 1502

frescoHigh Renaissancereligious paintingfiguresarchitecturebuildingskyreligious scenecrowd
advanced study

Recreating this painting will help students develop skills in figure drawing, composition with many elements, and creating depth through atmospheric perspective. It also offers practice in rendering architectural details and drapery.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes and forms, focusing on accurate proportions and perspective.

  3. step 03

    Establish the background elements, including the architecture and landscape, using light washes.

  4. step 04

    Begin adding details to the figures, working from general shapes to specific features.

  5. step 05

    Develop the drapery and clothing, paying attention to folds and highlights.

  6. step 06

    Refine the architectural details, adding shadows and highlights to create depth.

  7. step 07

    Add final details and highlights to the figures and background.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · ochre · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix various shades of brown and ochre for the architecture and figures. Use alizarin crimson and white for the pinkish tones in the figures' skin and clothing. Mix ultramarine blue with burnt umber to create muted grays for shadows.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·drapery rendering
  • ·architectural rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of figures.
  • →Overworking the colors and losing the sense of atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·ochre acrylic paint
  • ·burnt umber acrylic paint
  • ·raw sienna acrylic paint
  • ·alizarin crimson acrylic paint
  • ·ultramarine blue acrylic paint
  • ·titanium white acrylic paint

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A canvas with a fine weave will allow for greater detail.

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