apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Death of Lucretia
The Death of Lucretia by Il Sodoma

plate no. 4183

The Death of Lucretia

Il Sodoma, 1513

oilHigh Renaissancereligious paintingfiguresdramatic sceneknifeportraithistoricaldark background
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating depth through subtle value changes. It also provides practice in rendering skin tones and dramatic lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figures' poses and proportions.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figures, focusing on the overall value structure.

  4. step 04

    Begin refining the skin tones, mixing subtle variations of color for highlights and shadows.

  5. step 05

    Pay close attention to anatomical details, especially in the hands, face, and torso.

  6. step 06

    Render the drapery and other details, such as the knife, with careful attention to form and texture.

  7. step 07

    Add final highlights and details to enhance the sense of realism and drama.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, burnt sienna, raw umber, and small amounts of red and yellow. Use ivory black and raw umber for the dark background and shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations of color.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Not paying enough attention to anatomical details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael