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home·artworks·The Death Angel
The Death Angel by Horace Vernet

plate no. 3898

The Death Angel

Horace Vernet, 1841

oilRomanticismreligious paintingangeldeathfigurewomaninteriorreligious
experienced study

Recreating this painting will help students develop skills in rendering dramatic lighting, depicting figures in dynamic poses, and creating a sense of depth through atmospheric perspective. Students will also learn how to mix subtle color variations to create a sense of realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Start with the background, gradually building up layers of color and detail.

  4. step 04

    Focus on the angel figure, paying close attention to the drapery and the subtle variations in light and shadow.

  5. step 05

    Develop the woman's figure, focusing on the facial expression and the folds of her dress.

  6. step 06

    Add details to the surrounding objects, such as the books and the furniture.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · titanium white · burnt umber

secondary · yellow ochre · ultramarine blue · cadmium red

Mix ivory black and burnt umber for the dark areas of the angel and background. Use titanium white with a touch of yellow ochre and cadmium red for the woman's skin and dress. Mix ultramarine blue with white for the background highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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