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home·artworks·The Dead Christ Supported by Angels.
The Dead Christ Supported by Angels. by Vittore Carpaccio

plate no. 5533

The Dead Christ Supported by Angels.

Vittore Carpaccio, 1502

oilHigh Renaissancereligious paintingfigureangelsreligiousportraithalosky
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating subtle skin tones. It also provides practice in rendering drapery and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color, starting with the background and then the figures' skin and clothing.

  3. step 03

    Begin to refine the skin tones, using subtle variations in color and value to create a sense of depth and form.

  4. step 04

    Add details to the figures' faces, including the eyes, nose, and mouth.

  5. step 05

    Paint the drapery, paying attention to the way the fabric folds and drapes.

  6. step 06

    Add the wings and halos, using light and airy brushstrokes.

  7. step 07

    Refine the background, adding details such as clouds and sky.

  8. step 08

    Add final details and highlights to the figures and background.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ivory black · ultramarine blue

Mix skin tones using yellow ochre, burnt umber, and titanium white. Add small amounts of cadmium red for warmth and ivory black for shadows. Use ultramarine blue and white for the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and form.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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