
plate no. 5891
Edgar Degas, 1874
Students would develop skills in figure drawing, complex multi-figure composition, and capturing movement and gesture. This painting teaches how to balance detail with atmospheric effects in interior lighting.
technical profile
approach — 8 steps
Begin with a light pencil sketch mapping out the room's perspective and architectural elements
Block in the major shapes of figures using simple geometric forms
Establish the light source from the window and block in major value areas
Paint the background architecture and walls with muted tones
Work on the main figure groupings, starting with the largest masses
Add the ballet tutus using loose, confident brushstrokes
Refine facial features and hands on key foreground figures
Add final details like ballet slippers, hair ribbons, and architectural ornaments
color palette
primary · titanium white · raw umber · yellow ochre · burnt sienna
secondary · ultramarine blue · cadmium red light · viridian green · payne's gray
Mix warm grays for walls using white, raw umber, and tiny amounts of red. Create flesh tones by mixing white, yellow ochre, and small amounts of red and burnt sienna.
techniques
common pitfalls
surface · primed canvas or linen, medium texture
required
optional
Work alla prima or in layers, allowing for soft edges and atmospheric effects typical of Impressionist technique
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