apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Dame School
The Dame School by Frederick George Cotman

plate no. 6931

The Dame School

Frederick George Cotman, 1887

oilRomanticismgenre paintinginteriorfigureschildrenold womanclassroomcat
experienced study

Recreating this painting will help students develop skills in rendering figures in a realistic setting and understanding how to create depth through atmospheric perspective and color temperature changes. It is also a good exercise in capturing the texture of old walls and fabrics.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the figures, the room's architecture, and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the figures, walls, and floor, focusing on accurate color temperature.

  4. step 04

    Develop the details of the figures, paying attention to the light and shadow on their faces and clothing.

  5. step 05

    Add details to the background, including the paintings on the wall, the window, and the objects on the table.

  6. step 06

    Refine the textures of the walls and floor using dry brush techniques and subtle color variations.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · raw sienna · sap green

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of raw sienna and burnt umber to create the aged look of the walls.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·cadmium red oil paint

Use a canvas with a fine weave to allow for detailed brushwork. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke