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home·artworks·The Daisy Wreath
The Daisy Wreath by Jessie Willcox Smith

plate no. 6053

The Daisy Wreath

Jessie Willcox Smith, 1907

mixed mediaImpressionismillustrationchildrenfiguresdaisiesfieldclothinghat
some experience helpful

Recreating this painting will help students develop skills in rendering skin tones with subtle color variations and capturing the texture of fabric and foliage with layered brushstrokes. It also offers practice in creating a harmonious color scheme with a focus on warm and cool tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and composition.

  2. step 02

    Block in the background with broad strokes of green and hints of yellow and white for the field.

  3. step 03

    Establish the basic skin tones of the children, using a mix of pinks, yellows, and browns.

  4. step 04

    Paint the clothing, starting with the overall color and then adding shadows and highlights to create form and texture.

  5. step 05

    Add details to the faces, focusing on capturing the expressions and features of the children.

  6. step 06

    Paint the daisies, using small brushstrokes to create the petals and centers.

  7. step 07

    Refine the details and add final touches to the painting, such as highlights and shadows.

  8. step 08

    Add the dark border to complete the circular composition.

color palette

primary · yellow ochre · alizarin crimson · titanium white · viridian green

secondary · ultramarine blue · burnt umber · cadmium yellow light

Achieve skin tones by mixing yellow ochre, alizarin crimson, and white, adjusting the ratios for highlights and shadows. Mix greens by combining viridian green with cadmium yellow light or ultramarine blue for variations.

techniques

  • ·scumbling
  • ·layering
  • ·color mixing
  • ·rendering
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in skin tones.
  • →Making the daisy petals too uniform and lacking texture.
  • →Failing to establish a clear light source and consistent shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas or oval canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Consider using a toned canvas to help establish the overall color scheme. Acrylics are more beginner-friendly, while oils allow for more blending.

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related guides

color theory for painters →how to learn by studying the masters →
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