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home·artworks·The Crucifixion with St. Mary Magdalen
The Crucifixion with St. Mary Magdalen by Luca Signorelli

plate no. 5960

The Crucifixion with St. Mary Magdalen

Luca Signorelli, 1490

oil, canvasHigh Renaissancereligious paintingcrucifixionfigurelandscapeskycrossskull
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating depth through atmospheric perspective. It also provides practice in rendering drapery and subtle skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and landscape elements.

  2. step 02

    Establish the background sky and distant landscape using thin washes of color.

  3. step 03

    Block in the main figures with basic shapes and values, focusing on proportions.

  4. step 04

    Develop the figure of Christ, paying close attention to anatomy and shading.

  5. step 05

    Add details to the surrounding figures and drapery, refining the forms.

  6. step 06

    Render the landscape elements, including the rocks, trees, and buildings.

  7. step 07

    Add final details such as the skull, the inscription on the cross, and highlights.

  8. step 08

    Glaze the painting to unify the colors and create a sense of depth.

color palette

primary · raw umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing raw umber, titanium white, and a touch of cadmium red. Create atmospheric perspective by adding blue to distant landscape colors.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·drapery rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in figures
  • →Flat, lifeless skin tones
  • →Lack of depth in the landscape
  • →Overworking details too early
  • →Inaccurate rendering of drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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