apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Crucifixion
The Crucifixion by Andrea Solario

plate no. 1449

The Crucifixion

Andrea Solario, 1503

oil, panelHigh Renaissancereligious paintingcrucifixionfigureslandscapeskycityscapereligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective. It also provides practice in managing a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background landscape, starting with the sky and distant mountains.

  3. step 03

    Roughly sketch the figures, paying attention to proportions and poses.

  4. step 04

    Begin layering in the local colors of the figures' clothing and skin tones.

  5. step 05

    Develop the details of the faces and hands, focusing on accurate rendering of light and shadow.

  6. step 06

    Refine the drapery folds and textures of the clothing.

  7. step 07

    Add details to the foreground elements, such as the skull and ground.

  8. step 08

    Apply final glazes to unify the colors and enhance the overall depth.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · viridian · raw sienna

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white. Create variations in the sky by gradually lightening ultramarine blue with white. Use burnt umber and viridian to create shadows and depth in the landscape.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures.
  • →Overly bright or saturated colors.
  • →Lack of depth in the landscape.
  • →Inaccurate rendering of drapery folds.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, cadmium red, yellow ochre, titanium white, burnt umber, viridian, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael