
plate no. 8147
George Harvey, 1830
Recreating this painting will help students develop skills in depicting figures in varying light and shadow, and creating atmospheric perspective in a landscape. Students will also learn to suggest detail rather than render every element precisely.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the main figure and the overall landscape.
Establish the dark background tones using a thin wash of burnt umber and black.
Block in the main light areas on the figures, using a mix of white, yellow ochre, and a touch of burnt sienna.
Gradually build up the details of the figures, paying attention to the light and shadow.
Add the landscape details, focusing on creating depth through atmospheric perspective.
Refine the details of the main figure, adding highlights and shadows to create a sense of volume.
Add final details such as the faces and clothing textures.
Glaze with thin layers of color to unify the painting and enhance the atmosphere.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · ivory black · raw sienna · cadmium yellow
Achieve the muted tones by mixing the primary colors with black and white. Use thin glazes of color to create depth and atmosphere.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Thin the paints with linseed oil for glazing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke