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home·artworks·The Covenanters' Preaching
The Covenanters' Preaching by George Harvey

plate no. 8147

The Covenanters' Preaching

George Harvey, 1830

oilRomanticismgenre paintingfigureslandscapepreachinggatheringhistoricalsky
experienced study

Recreating this painting will help students develop skills in depicting figures in varying light and shadow, and creating atmospheric perspective in a landscape. Students will also learn to suggest detail rather than render every element precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figure and the overall landscape.

  2. step 02

    Establish the dark background tones using a thin wash of burnt umber and black.

  3. step 03

    Block in the main light areas on the figures, using a mix of white, yellow ochre, and a touch of burnt sienna.

  4. step 04

    Gradually build up the details of the figures, paying attention to the light and shadow.

  5. step 05

    Add the landscape details, focusing on creating depth through atmospheric perspective.

  6. step 06

    Refine the details of the main figure, adding highlights and shadows to create a sense of volume.

  7. step 07

    Add final details such as the faces and clothing textures.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ivory black · raw sienna · cadmium yellow

Achieve the muted tones by mixing the primary colors with black and white. Use thin glazes of color to create depth and atmosphere.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall atmosphere.
  • →Using too much bright color and not enough muted tones.
  • →Failing to create a strong sense of light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Thin the paints with linseed oil for glazing.

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