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home·artworks·The Course of Empire: The Savage State
The Course of Empire: The Savage State by Thomas Cole

plate no. 5959

The Course of Empire: The Savage State

Thomas Cole, 1834

oil, canvasRomanticismlandscapelandscapetreesmountainsskycloudsfigure
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering complex natural forms like trees and mountains.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and figure.

  2. step 02

    Establish the sky with broad washes of color, blending the light and dark areas.

  3. step 03

    Block in the distant mountains and landmasses, using lighter and cooler colors to create atmospheric perspective.

  4. step 04

    Begin layering the foreground elements, starting with the darkest areas and gradually adding highlights.

  5. step 05

    Develop the details of the trees and foliage, paying attention to the direction of light and shadow.

  6. step 06

    Add the figure, using small brushstrokes to capture its form and movement.

  7. step 07

    Refine the details of the water and rocks in the foreground.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red · sap green

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to the colors of distant objects.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the importance of value contrast in creating form and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a toned canvas to establish a base color.

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