apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The County Election
The County Election by George Caleb Bingham

plate no. 7507

The County Election

George Caleb Bingham, 1846

oilRomanticismgenre paintingfiguresbuildinglandscapetreestowncrowd
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and understanding atmospheric perspective. It also provides practice in rendering realistic textures and clothing folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main building and the overall arrangement of figures.

  2. step 02

    Establish the horizon line and the vanishing point to create depth in the scene.

  3. step 03

    Block in the large shapes of the building, trees, and groups of figures with simplified colors.

  4. step 04

    Develop the sky with soft gradations of blue and white, paying attention to the cloud formations.

  5. step 05

    Add details to the building, including the columns, windows, and architectural features.

  6. step 06

    Begin to refine the figures, adding details to their clothing, faces, and gestures.

  7. step 07

    Create depth by layering figures and objects, using lighter values and less detail for elements in the distance.

  8. step 08

    Add final details, such as shadows, highlights, and textures, to bring the painting to life.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve the muted earth tones by mixing burnt umber, yellow ochre, and white. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Mix small amounts of cadmium red with burnt umber and white for the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of accurate proportions and anatomy in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a toned ground (e.g., raw umber) to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke