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home·artworks·The Count of Floridablanca
The Count of Floridablanca by Francisco Goya

plate no. 5457

The Count of Floridablanca

Francisco Goya, 1783

oil, canvasRomanticismportraitfigureportraitinteriorclockmapbooks
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding how to create depth and atmosphere using value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  3. step 03

    Block in the main areas of color, starting with the darkest values and working towards the lighter ones.

  4. step 04

    Develop the background and drapery, paying attention to the subtle shifts in color and value.

  5. step 05

    Refine the details of the figures, including the facial features, clothing, and accessories.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the details of the clock, map, and books, ensuring they are accurately rendered.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · cadmium red · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Achieve the red tones by mixing cadmium red with touches of yellow ochre and burnt umber. Create the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use ultramarine blue and titanium white for the sash.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering fabrics

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Incorrect color mixing leading to flat or unnatural tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (cadmium red, ivory black, titanium white, yellow ochre, ultramarine blue, burnt umber, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for applying the paint.

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oil painting for beginners →how to learn by studying the masters →
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