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home·artworks·The Council Chamber
The Council Chamber by Edward Burne-Jones

plate no. 0524

The Council Chamber

Edward Burne-Jones, 1890

oilRomanticismgenre paintingfiguresdraperyshipmaritimeclassicalnarrative
advanced study

Students would develop advanced figure drawing skills, complex drapery rendering, and the ability to manage multiple overlapping forms within a cohesive narrative composition.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 80 hrs

approach — 8 steps

  1. step 01

    Begin with detailed preparatory sketches of individual figures and their poses

  2. step 02

    Map out the overall composition with careful attention to overlapping forms

  3. step 03

    Establish the light source and plan shadow patterns across all elements

  4. step 04

    Block in basic flesh tones and drapery colors with thin underpainting

  5. step 05

    Build up form through careful modeling of light and shadow on figures

  6. step 06

    Render fabric textures with attention to how different materials catch light

  7. step 07

    Add architectural details and ship rigging with precise brushwork

  8. step 08

    Refine facial expressions and hands to enhance the narrative

color palette

primary · burnt sienna · ultramarine blue · titanium white · raw umber

secondary · cadmium red medium · yellow ochre · viridian · alizarin crimson

Mix warm and cool grays for drapery shadows, blend flesh tones with yellow ochre and cadmium red, use ultramarine and burnt sienna for rich darks

techniques

  • ·glazing for depth
  • ·scumbling for texture
  • ·careful edge control
  • ·form modeling
  • ·color temperature shifts

common pitfalls

  • →overworking flesh tones
  • →losing form in complex drapery
  • →muddy color mixing
  • →inconsistent light source

materials

surface · primed canvas or linen, medium texture

required

  • ·#2, #6, #10 flat brushes
  • ·#1, #4 round brushes
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·canvas 24x36
  • ·palette knife

optional

  • ·glazing medium
  • ·alkyd medium
  • ·liner brush #0
  • ·blending brush

This complex multi-figure composition requires high-quality paints and brushes capable of fine detail work and smooth blending

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