
plate no. 7382
David Wilkie, 1837
This painting provides practice in rendering figures in a dimly lit interior and capturing the warm glow of light on faces and objects. Students will develop skills in glazing and scumbling to create depth and atmosphere.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of figures and the table.
Establish the overall dark background with a thin wash of burnt umber.
Block in the main light source around the table and the figures closest to it.
Begin layering in the mid-tones and shadows, paying attention to the form of the figures.
Add highlights to the faces, hands, and clothing, focusing on the areas directly illuminated by the light.
Refine the details of the faces and clothing, using small brushes and subtle color variations.
Glaze over the entire painting with a thin layer of burnt umber to unify the colors and create a sense of atmosphere.
Add final highlights and details to bring the painting to life.
color palette
primary · burnt umber · raw sienna · ivory black
secondary · yellow ochre · titanium white · cadmium red light
Achieve the warm, glowing light by mixing yellow ochre and titanium white. Use burnt umber and ivory black for shadows, and add a touch of cadmium red light to warm up the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to facilitate blending and glazing.
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