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home·artworks·The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist
The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist by Bartolomeo Passerotti

plate no. 9746

The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist

Bartolomeo Passerotti, 1580

canvas, oilMannerism (Late Renaissance)religious paintingfigurescloudsreligious sceneangelsbooksky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a complex multi-figure composition with a sense of depth and hierarchy. It also provides practice in achieving subtle color variations and modeling forms with light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and clouds.

  3. step 03

    Sketch the figures, paying attention to proportions and anatomical accuracy.

  4. step 04

    Start painting the figures one by one, beginning with the underpainting using earth tones.

  5. step 05

    Gradually build up the colors and values, layering paint to create depth and form.

  6. step 06

    Pay close attention to the drapery, using highlights and shadows to define the folds.

  7. step 07

    Add details such as facial features, hands, and the book.

  8. step 08

    Finish by refining the details and adding highlights to create a sense of luminosity.

color palette

primary · red · blue · yellow ochre · titanium white

secondary · green · brown · grey

Achieve the flesh tones by mixing titanium white, yellow ochre, and a touch of red. Create the blues by mixing ultramarine blue with white and a touch of black for shadows. Mix greens from blue and yellow.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures.
  • →Flat or lifeless drapery.
  • →Overly harsh or muddy colors.
  • →Losing the overall composition in the details.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (red, blue, yellow ochre, titanium white, burnt umber, black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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