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home·artworks·The Corner of the Paddock
The Corner of the Paddock by Julian Ashton

plate no. 1064

The Corner of the Paddock

Julian Ashton, 1888

oilImpressionismgenre paintingfieldfigurefencetreeshillssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures like grass and foliage with loose brushstrokes. It also provides practice in capturing the subtle variations in light and shadow across a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, fence, and horizon line.

  2. step 02

    Establish the sky and distant hills with diluted washes of color.

  3. step 03

    Block in the large areas of the field and the hillside, using a warm yellow-ochre base.

  4. step 04

    Add details to the fence, varying the color and value to suggest age and weathering.

  5. step 05

    Paint the figure, paying attention to the folds and shadows in the clothing.

  6. step 06

    Develop the texture of the grass and foliage with broken brushstrokes and varying colors.

  7. step 07

    Add details to the trees and bushes, using darker tones to create depth.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · titanium white · raw umber · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Achieve muted tones by adding a touch of burnt sienna or raw umber to your colors.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · watercolor paper 140lb

required

  • ·stretched canvas
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·rigger brush
  • ·masking fluid

Use high-quality watercolor paints for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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