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home·artworks·The Convalescent
The Convalescent by Salvador Sánchez Barbudo

plate no. 4103

The Convalescent

Salvador Sánchez Barbudo, 1887

oil, canvasRomanticismgenre paintingfiguresinteriorroomfurnitureclothingornaments
experienced study

Recreating this painting will help students develop skills in rendering complex textures and fabrics, as well as understanding atmospheric perspective and creating a sense of depth through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and major elements.

  2. step 02

    Establish the dark background and overall value structure with thin washes of color.

  3. step 03

    Block in the main shapes of the figures and furniture with simplified color masses.

  4. step 04

    Begin layering details, focusing on the textures of the fabrics and the ornamentation of the room.

  5. step 05

    Develop the light and shadow, paying attention to the subtle gradations of tone.

  6. step 06

    Add highlights and refine the details of the faces and hands.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · alizarin crimson · ultramarine blue

Achieve the muted tones by mixing the primary colors with each other and adding small amounts of the secondary colors to adjust the hue and saturation. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere by over-defining the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the dark background.

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