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home·artworks·The Colleoni Statue, Venice
The Colleoni Statue, Venice by Maurice Bompard

plate no. 1071

The Colleoni Statue, Venice

Maurice Bompard

oilImpressionismcityscapebuildingswaterstatueskyfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and creating depth through atmospheric perspective. It also provides practice in depicting architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, statue, and water line, paying attention to perspective.

  2. step 02

    Block in the sky with a light blue, adding subtle variations in tone.

  3. step 03

    Establish the main colors of the buildings, using a mix of warm and cool tones.

  4. step 04

    Paint the statue and its base, focusing on capturing the light and shadow.

  5. step 05

    Add the reflections in the water, using broken brushstrokes and slightly desaturated colors.

  6. step 06

    Paint the figures in the foreground, simplifying their forms and colors.

  7. step 07

    Refine the details of the buildings and statue, adding highlights and shadows.

  8. step 08

    Add final touches and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · raw umber · viridian

Mix various shades of beige and pink for the buildings by combining yellow ochre, burnt sienna, and white with small amounts of red or blue. Achieve the water reflections by desaturating the building colors with grey and white.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the reflections too sharp and defined.
  • →Using colors that are too saturated, resulting in a flat and unrealistic look.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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