apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Clouded Moon
The Clouded Moon by Albert Julius Olsson

plate no. 4819

The Clouded Moon

Albert Julius Olsson, 1910

oilImpressionismmarinaoceanwavesskymooncloudsseascape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the movement and texture of water with loose brushstrokes. Students will also learn how to create a sense of depth and light using subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the waves and moon.

  2. step 02

    Establish the overall tonal values with a thin wash of diluted paint, creating a base for subsequent layers.

  3. step 03

    Block in the sky and clouds, paying attention to the subtle gradations of color and value.

  4. step 04

    Begin to define the shapes of the waves, using thicker paint and bolder brushstrokes.

  5. step 05

    Add highlights to the crests of the waves and the areas where the moonlight reflects on the water.

  6. step 06

    Introduce secondary colors to the waves to create depth and realism.

  7. step 07

    Refine the details of the foreground, adding texture and definition to the water.

  8. step 08

    Add final touches, such as the distant ships and birds, to complete the composition.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · viridian green · cadmium yellow

Achieve the muted tones by mixing complementary colors and adding white. Use yellow ochre and white for the moon's glow. Mix ultramarine blue and viridian green for the deeper water tones.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and flattening the image.
  • →Failing to capture the movement and energy of the waves.
  • →Not establishing a clear light source and value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann