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home·artworks·The City of Cologne, engraved by M.J. Starling after Leitch
The City of Cologne, engraved by M.J. Starling after Leitch by William Leighton Leitch

plate no. 6829

The City of Cologne, engraved by M.J. Starling after Leitch

William Leighton Leitch, 1850

oilRomanticismcityscapecityscapebuildingswaterfiguresboatssky
experienced study

Recreating this painting will help students develop skills in perspective, rendering architectural details, and capturing reflections in water. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of major buildings and figures.

  2. step 02

    Block in the sky with a light blue wash, blending it towards the horizon.

  3. step 03

    Establish the basic shapes and values of the buildings, using a warm brown or ochre for the walls and a darker red for the roofs.

  4. step 04

    Paint the water, capturing the reflections of the buildings and boats with slightly blurred and muted colors.

  5. step 05

    Add details to the buildings, such as windows, arches, and decorative elements, using a fine brush.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and clothing.

  7. step 07

    Add final details to the foreground, such as rocks, sand, and vegetation.

  8. step 08

    Refine the overall composition and add highlights and shadows to create depth and dimension.

color palette

primary · sky blue · burnt umber · yellow ochre

secondary · cadmium red · sap green · ivory black

Mix various shades of brown and ochre by combining burnt umber, yellow ochre, and a touch of red or black. Create muted greens by mixing sap green with burnt umber.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, especially for the buildings.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too bright and saturated.
  • →Failing to capture the reflections accurately.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water

optional

  • ·easel
  • ·varnish
  • ·retarder medium

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

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oil painting for beginners →how to learn by studying the masters →
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