apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Christian Martyrs
The Christian Martyrs by Gustave Doré

plate no. 7844

The Christian Martyrs

Gustave Doré, 1871

oil, canvasRomanticismreligious paintingfiguresangelsarchitecturenightreligious scenemartyrs
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, and understanding atmospheric perspective and dramatic lighting. It also provides practice in rendering textures and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar dark color.

  3. step 03

    Block in the main areas of color, starting with the darkest areas and gradually working towards the lighter tones.

  4. step 04

    Begin to refine the details of the figures, paying attention to anatomy and drapery.

  5. step 05

    Develop the atmospheric perspective by softening edges and reducing contrast in the background.

  6. step 06

    Add highlights to the angels and other key areas to create a sense of drama.

  7. step 07

    Refine the textures of the architectural elements and the ground.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and compelling image.

color palette

primary · burnt umber · ivory black · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use alizarin crimson and ultramarine blue to create the purplish hues in the sky. Mix white with small amounts of other colors to create the highlights on the figures and angels.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the sense of atmosphere.
  • →Inaccurate anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, ivory black, titanium white, alizarin crimson, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to save time on the initial wash.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke