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home·artworks·The Cherry Seller
The Cherry Seller by William Collins

plate no. 8034

The Cherry Seller

William Collins, 1824

oilRomanticismgenre paintingfigureslandscapevillagearchitecturetreesanimals
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering figures within a landscape. It also provides practice in capturing subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin layering in the background elements, starting with the sky and distant buildings, using soft, blended brushstrokes.

  4. step 04

    Develop the foliage and trees, paying attention to the variations in color and texture.

  5. step 05

    Refine the figures, focusing on accurate proportions and subtle details in their clothing and faces.

  6. step 06

    Add details to the architecture, such as the texture of the wood and the details of the windows.

  7. step 07

    Introduce highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the warm earth tones by blending burnt umber, raw sienna, and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the effects of atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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