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home·artworks·The Cheese Market in Rotterdam
The Cheese Market in Rotterdam by Petrus van Schendel

plate no. 5507

The Cheese Market in Rotterdam

Petrus van Schendel

oil, canvasRomanticismgenre paintingcityscapefiguresmarketnightbuildingslight
some experience helpful

Recreating this painting will help students understand how to create atmospheric perspective and use a limited palette to depict a nighttime scene with a strong light source. Students will also learn to suggest detail rather than render it precisely.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the main shapes and composition, focusing on the placement of the buildings and figures.

  3. step 03

    Block in the sky with a thin layer of lighter browns and yellows, creating a sense of light breaking through the clouds.

  4. step 04

    Establish the dark masses of the buildings and figures, using darker browns and blacks.

  5. step 05

    Carefully add the light source (the lantern) and the immediate surrounding highlights, using yellows and oranges.

  6. step 06

    Soften the edges of the forms and blend the colors to create a sense of atmosphere and depth.

  7. step 07

    Add subtle details to the figures and buildings, suggesting textures and forms without over-defining them.

  8. step 08

    Glaze with thin layers of brown to deepen shadows and unify the painting.

color palette

primary · burnt umber · raw umber · yellow ochre · ivory black

secondary · cadmium yellow · burnt sienna

Mix browns by combining umber, ochre, and black. Use yellow and sienna to create the warm glow of the lantern. Add white sparingly to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the atmospheric effect.
  • →Making the light source too bright and overpowering the rest of the painting.
  • →Creating too much contrast and losing the subtle gradations of tone.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting thinner

A pre-toned canvas will make it easier to establish the overall value range of the painting.

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