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home·artworks·The Chasm of the Colorado
The Chasm of the Colorado by Thomas Moran

plate no. 6995

The Chasm of the Colorado

Thomas Moran, 1874

oilRomanticismlandscapemountainscanyonskycloudsrocksrainbow
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for realistic landscapes, and creating depth through layering and value changes. It also provides practice in rendering complex rock formations and cloudscapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the canyon and mountains, focusing on the overall composition.

  2. step 02

    Establish the horizon line and the general layout of the major landforms.

  3. step 03

    Block in the sky and clouds with broad strokes, paying attention to the light and shadow.

  4. step 04

    Begin layering in the distant mountains, using lighter and cooler colors to create atmospheric perspective.

  5. step 05

    Develop the mid-ground and foreground rock formations, adding details and variations in color and texture.

  6. step 06

    Add the details of the rain and rainbow, using thin washes and soft blending.

  7. step 07

    Refine the highlights and shadows, paying attention to the direction of light.

  8. step 08

    Add final details such as small figures or vegetation to enhance the sense of scale.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · viridian green · raw umber

Mix various shades of brown and red for the rocks, using blue and white to create cooler tones for distant mountains. Achieve atmospheric perspective by adding more blue to the distant colors.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Not creating enough contrast between light and shadow.
  • →Ignoring atmospheric perspective, making the distant mountains appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to establish a base color.

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