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home·artworks·The Chapel of the Benavente Family in Medina De Rioseco
The Chapel of the Benavente Family in Medina De Rioseco by Jenaro Pérez Villaamil

plate no. 7375

The Chapel of the Benavente Family in Medina De Rioseco

Jenaro Pérez Villaamil, 1842

oil, canvasRomanticisminteriorarchitectureinteriorfigureschapelstatuesarches
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering complex architectural details, and creating atmospheric depth through value and color variations. It also provides practice in painting figures within an interior space.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and structure of the chapel interior.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Start building up the architectural details, focusing on the patterns and textures of the carvings and moldings.

  4. step 04

    Add the figures in the foreground, paying attention to their proportions and placement within the scene.

  5. step 05

    Refine the details of the figures and architectural elements, adding highlights and shadows to create depth and dimension.

  6. step 06

    Work on the murals and smaller details within the arches.

  7. step 07

    Adjust the overall color and value balance to create a sense of atmosphere and unity.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the golden tones by mixing yellow ochre and burnt umber with varying amounts of white. Use ultramarine blue and cadmium red sparingly for the figures' clothing and the murals.

techniques

  • ·Glazing
  • ·Scumbling
  • ·Dry brushing
  • ·Linear perspective
  • ·Atmospheric perspective

common pitfalls

  • →Getting lost in the details too early and losing the overall composition.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not creating enough variation in value and color to create depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, raw sienna
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a canvas with a fine weave to allow for detailed brushwork. Consider using a toned canvas to establish a base color.

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