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home·artworks·The cemetery in Gastein
The cemetery in Gastein by Rudolf von Alt

plate no. 5174

The cemetery in Gastein

Rudolf von Alt, 1898

watercolor, paperRomanticismlandscapelandscapecemeterymountainstreesskyclouds
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes to create depth and texture, as well as capturing atmospheric perspective in a landscape. It also provides practice in rendering complex foliage and varied textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the mountain, the tree line, the cemetery structures, and the cloud formations.

  2. step 02

    Begin with a light wash of diluted blue for the sky, leaving areas of white for the clouds. Add subtle grays and blues to the cloud shadows.

  3. step 03

    Apply a light wash of yellow ochre and burnt sienna to the mountain, establishing the basic form and light direction.

  4. step 04

    Start layering washes of greens, browns, and blues for the trees and foliage, working from light to dark. Use varied brushstrokes to suggest different textures.

  5. step 05

    Paint the cemetery structures with diluted browns and grays, paying attention to the details of the crosses and monuments.

  6. step 06

    Add details to the foreground, such as grass and small plants, using a fine brush.

  7. step 07

    Refine the values and details throughout the painting, adding darker shadows and highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired atmospheric effect.

color palette

primary · cerulean blue · yellow ochre · burnt sienna · raw umber

secondary · sap green · payne's gray · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue or sap green. Achieve various browns and grays by mixing burnt sienna, raw umber, and payne's gray. Use plenty of water to create transparent washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Failing to establish a clear light source and consistent shadows.
  • →Making the foliage too uniform and lacking in variety.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb cold press)
  • ·round watercolor brushes (sizes 2, 6, 10)
  • ·flat watercolor brush (size 1/2 inch)
  • ·water container
  • ·palette for mixing paints
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache (for highlights)
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Experiment with different brushstrokes to create varied textures.

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watercolor techniques →how to learn by studying the masters →
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