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home·artworks·The Cedars Of Lebanon
The Cedars Of Lebanon by Edward Henry Potthast

plate no. 5539

The Cedars Of Lebanon

Edward Henry Potthast

oilRomanticismlandscapemountainstreeslandscaperocksskycedars
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating depth through atmospheric perspective. It also provides practice in rendering detailed textures with dry brush techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and major shapes of the mountains, trees, and rocks.

  2. step 02

    Apply a light wash of diluted brown and blue to the sky and distant mountains, establishing the atmospheric perspective.

  3. step 03

    Begin layering washes of brown and ochre to the foreground rocks and terrain, gradually building up darker values.

  4. step 04

    Use a fine brush to add details to the trees, using thin, vertical strokes to suggest branches and foliage.

  5. step 05

    Introduce highlights to the rocks using a dry brush technique with white or light ochre paint.

  6. step 06

    Add darker shadows under the rocks and trees to create depth and dimension.

  7. step 07

    Refine the details of the trees and rocks, paying attention to the texture and form.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt umber · ultramarine blue · raw sienna

secondary · titanium white · yellow ochre

Mix burnt umber and ultramarine blue for the dark tones of the trees and shadows. Use white to lighten the browns and ochres for highlights on the rocks.

techniques

  • ·layering washes
  • ·dry brush
  • ·atmospheric perspective
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking the details in the foreground before establishing the background.
  • →Using too much water in the washes, which can result in a muddy appearance.
  • →Failing to create enough contrast between the light and dark areas.
  • →Making the tree trunks too thick and uniform.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve various textures and details.

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