
plate no. 7771
Konstantin Yuon, 1906
Recreating this painting will help students develop skills in layering washes, creating atmospheric perspective, and simplifying complex architectural forms. It also provides practice in rendering bare trees and figures in a snowy landscape.
technical profile
approach — 8 steps
Lightly sketch the main shapes of the cathedral and trees, focusing on composition.
Apply a light wash of diluted raw sienna or yellow ochre to the entire paper to create a warm undertone.
Begin layering washes of diluted blues, grays, and browns for the sky and distant buildings, creating atmospheric perspective.
Add darker washes to define the shadows on the buildings and snow, using a mix of burnt umber and ultramarine blue.
Paint the trees with thin, gestural strokes, using a fine brush and a mix of burnt umber and black.
Add details to the cathedral, such as windows, domes, and crosses, using a small brush and opaque colors.
Paint the figures and horse-drawn carriage in the foreground with simple shapes and colors.
Add final touches of white gouache or watercolor to highlight the snow and create a sense of depth.
color palette
primary · raw sienna · ultramarine blue · burnt umber · titanium white
secondary · cadmium red · viridian green · payne's gray
Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green) and adding white to lighten the values. Use diluted washes for the atmospheric effects.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Consider using masking fluid to preserve the white areas of the snow.
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