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home·artworks·The Cart at the Side of the Path
The Cart at the Side of the Path by Ferdinand du Puigaudeau

plate no. 7501

The Cart at the Side of the Path

Ferdinand du Puigaudeau, 1915

oilImpressionismlandscapelandscapetreecartpathfigurefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as using broken color to suggest form and light. It's a good exercise in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, cart, and path.

  2. step 02

    Block in the main color areas: sky, foliage, ground, and cart, using thin washes.

  3. step 03

    Begin layering colors within each area, using short, broken brushstrokes to create texture and visual interest.

  4. step 04

    Focus on the tree, building up the branches and leaves with varying shades of red, orange, and brown.

  5. step 05

    Add details to the cart, paying attention to the shapes and shadows.

  6. step 06

    Refine the path and surrounding foliage, using a mix of greens, yellows, and blues.

  7. step 07

    Add the figure in the background, keeping it simple and suggestive.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · red ochre · yellow ochre · ultramarine blue · titanium white

secondary · viridian green · burnt umber · cadmium yellow

Mix various shades of green by combining blue and yellow with touches of brown. Achieve the reddish-brown hues of the tree by mixing red ochre with burnt umber and a touch of yellow. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·wet-on-dry
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a stiff, unnatural look.
  • →Ignoring the importance of color mixing and using colors straight from the tube.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·#4 round brush
  • ·#6 filbert brush
  • ·#8 flat brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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