apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Canal Venice
The Canal Venice by Martín Rico y Ortega

plate no. 8004

The Canal Venice

Martín Rico y Ortega

oilImpressionismcityscapecanalbuildingsgondolaswaterskyfigures
some experience helpful

Recreating this painting will help students develop skills in perspective, rendering architectural details, and capturing the reflections and movement of water. It also provides practice in creating atmospheric perspective and depicting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings and the canal.

  2. step 02

    Block in the main shapes of the buildings, water, and sky using diluted washes of color.

  3. step 03

    Establish the light and shadow patterns on the buildings and water.

  4. step 04

    Begin adding details to the buildings, such as windows, architectural ornaments, and textures.

  5. step 05

    Paint the gondolas and figures, paying attention to their proportions and placement within the scene.

  6. step 06

    Develop the reflections in the water, using broken brushstrokes to capture the movement and shimmer.

  7. step 07

    Add the final details, such as the foliage, the dome in the background, and any highlights.

  8. step 08

    Refine the overall composition and color harmony.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · cadmium red light

Mix various shades of brown and ochre for the buildings. Use ultramarine blue and white for the sky and water, adding touches of ochre and sienna to create depth and warmth. Mix red and brown for the roof tiles.

techniques

  • ·broken brushstrokes
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Incorrect perspective
  • →Overworking details too early
  • →Muddy colors
  • →Ignoring the reflections in the water

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·palette

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann