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home·artworks·The building of the SS 'Great Eastern'
The building of the SS 'Great Eastern' by John Wilson Carmichael

plate no. 7440

The building of the SS 'Great Eastern'

John Wilson Carmichael, 1857

oilRomanticismmarinaboatswatershipyardfiguresskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex scenes with many small details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the large ship, the boats, and the horizon line.

  2. step 02

    Establish the basic color washes for the sky and water, focusing on the overall tone.

  3. step 03

    Add the large ship's structure, using a light wash of pinkish-brown and defining the scaffolding.

  4. step 04

    Paint the boats, starting with the larger ones in the foreground and working back.

  5. step 05

    Add details to the boats, including sails, rigging, and figures.

  6. step 06

    Create reflections in the water, mirroring the shapes and colors of the boats and ship.

  7. step 07

    Add final details, such as the small figures on the ship and the birds in the sky.

  8. step 08

    Adjust values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · payne's gray

Mix raw umber and white for the water and sky. Use burnt sienna and yellow ochre for the boats and sails. Add a touch of cerulean blue to the sky for a cool tone.

techniques

  • ·wet-on-wet blending
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Making the reflections too dark or too sharp.
  • →Using colors that are too saturated, creating an unrealistic effect.
  • →Not establishing a clear focal point.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Consider using a limited palette to achieve color harmony.

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