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home·artworks·The Buffalo Pound
The Buffalo Pound by Paul Kane

plate no. 1180

The Buffalo Pound

Paul Kane, 1849

oilRomanticismlandscapelandscapebuffaloplainstreesskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering animal forms in a landscape. It also provides practice in creating a sense of depth and distance through color and value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, midground, and foreground.

  2. step 02

    Establish the horizon line and the placement of major elements like the buffalo herd and trees.

  3. step 03

    Block in the sky with light blues and grays, creating a sense of atmospheric perspective.

  4. step 04

    Lay in the base colors for the plains, using yellows, greens, and browns, varying the tones to suggest rolling hills.

  5. step 05

    Paint the distant trees and foliage with muted greens and blues to push them back in space.

  6. step 06

    Add the buffalo herd, starting with the larger shapes and then refining the details of individual animals.

  7. step 07

    Introduce the figures, paying attention to their proportions and placement within the scene.

  8. step 08

    Add final details such as highlights on the buffalo, shadows on the plains, and subtle variations in the sky.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · sap green · raw sienna · payne's gray

Mix various shades of brown for the buffalo using burnt umber and yellow ochre. Achieve atmospheric perspective by adding white and blue to the greens and yellows for distant elements.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details in the distant elements, which can flatten the perspective.
  • →Using colors that are too saturated, which can make the painting look unrealistic.
  • →Failing to create a clear sense of depth and distance.
  • →Making the buffalo appear too uniform in color and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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