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home·artworks·The Breiddin Hills, near Welshpool
The Breiddin Hills, near Welshpool by David Cox

plate no. 0960

The Breiddin Hills, near Welshpool

David Cox, 1815

oilRomanticismlandscapehillsskycloudslandscapetreesfields
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in rendering subtle tonal variations in the sky and landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills, sky, and foreground.

  2. step 02

    Apply a light wash of diluted blue and grey to the sky, creating soft cloud formations.

  3. step 03

    Paint the distant hills with a diluted grey-brown wash, making them lighter in tone.

  4. step 04

    Layer washes of green, brown, and ochre to create the fields and foreground, gradually increasing the color intensity.

  5. step 05

    Add details to the hills using dry brush techniques with darker browns and greys to define the rocky textures.

  6. step 06

    Use a fine brush to add details to the trees and bushes in the foreground.

  7. step 07

    Glaze over the entire painting with very diluted washes to unify the colors and create atmospheric depth.

  8. step 08

    Add final highlights with touches of white or light ochre.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · payne's gray · titanium white

Mix blues and greys for the sky. Use varying proportions of burnt umber, yellow ochre, and raw sienna to create the earth tones. Add white to lighten values and create atmospheric perspective.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·glazing
  • ·atmospheric perspective
  • ·layering washes

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Failing to create a smooth transition between the sky and the hills.
  • →Not diluting the washes enough, leading to a heavy or muddy look.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1 inch)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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