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home·artworks·The Brayford Pool and Lincoln Cathedral
The Brayford Pool and Lincoln Cathedral by John Wilson Carmichael

plate no. 0467

The Brayford Pool and Lincoln Cathedral

John Wilson Carmichael

oilRomanticismmarinaboatswaterbuildingsskycathedralfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details. It also provides practice in depicting reflections in water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cathedral, boats, and buildings.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the large shapes of the sky, water, and landmasses with thin washes of color.

  4. step 04

    Begin adding details to the cathedral and buildings, paying attention to their structure and form.

  5. step 05

    Paint the boats, focusing on their shapes, shadows, and reflections in the water.

  6. step 06

    Add details to the figures and other small elements in the scene.

  7. step 07

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · sap green

Mix blues and browns with white for the sky and distant buildings. Use yellow ochre and burnt umber for the buildings and boats. Add small amounts of red and green for accents.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear sense of perspective.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Not paying enough attention to the values and creating a flat, uninteresting image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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