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home·artworks·The Birth of Pennsylvania, 1680
The Birth of Pennsylvania, 1680 by Jean Leon Gerome Ferris

plate no. 5096

The Birth of Pennsylvania, 1680

Jean Leon Gerome Ferris

oilRomanticismhistory paintingfiguresinteriortableclothingchandelierarchitecture
experienced study

Recreating this painting will help students develop skills in rendering complex figures, drapery, and interior spaces, as well as understanding historical clothing and settings. Students will also learn to manage a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the overall value structure.

  3. step 03

    Begin to define the figures, starting with the central figure in the chair, paying attention to anatomical accuracy and drapery folds.

  4. step 04

    Develop the details of the table setting, including the tablecloth, fruit, and glassware.

  5. step 05

    Add the secondary figures, working from back to front, and refining their poses and expressions.

  6. step 06

    Refine the lighting and shadows throughout the painting, creating depth and dimension.

  7. step 07

    Add the final details, such as the patterns on the rug and the details of the chandelier.

  8. step 08

    Glaze and varnish the painting for protection and to enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · alizarin crimson

secondary · ultramarine blue · viridian green · cadmium red light · ivory black

Achieve the muted tones by mixing earth tones with small amounts of blues and greens. Use glazes of transparent colors to build up depth and richness.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddying colors by overmixing
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (yellow ochre, burnt umber, titanium white, alizarin crimson, ultramarine blue, viridian green, cadmium red light, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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