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home·artworks·The Birds Flew to the South
The Birds Flew to the South by Ivan Marchuk

plate no. 7401

The Birds Flew to the South

Ivan Marchuk, 2007

oilMagic Realismlandscapehousetreeslandscapeladderfoliagesky
experienced study

Recreating this painting will help students develop skills in layering paint to create texture and rendering complex details with visible brushstrokes. It also provides practice in observing and translating subtle color variations in natural forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes of the house, trees, and ground.

  2. step 02

    Establish the basic color blocks for the sky, house walls, roof, and ground using thin washes.

  3. step 03

    Start building up texture on the ground with short, directional brushstrokes using various shades of brown and ochre.

  4. step 04

    Add details to the house, focusing on the wood grain, window, and ladder, using a small brush.

  5. step 05

    Create the foliage and tree branches using a dry brush technique and layering different shades of brown, gray, and hints of green.

  6. step 06

    Refine the details and add highlights to create depth and dimension.

  7. step 07

    Pay close attention to the subtle color variations in the shadows and highlights.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · payne's gray · yellow ochre · raw sienna

Mix various shades of brown and gray by combining the primary colors with white and small amounts of Payne's Gray. Use yellow ochre and raw sienna to add warmth to the browns.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the subtle color variations and creating a flat, lifeless painting.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (small round, flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. A textured canvas can enhance the effect of the brushstrokes.

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