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home·artworks·The Beggars
The Beggars by Alexandre-Gabriel Decamps

plate no. 9862

The Beggars

Alexandre-Gabriel Decamps

oil, canvasRomanticismgenre paintingfiguresarchitecturebasketinteriorfamilyvillage
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and capturing the texture of old stone walls using layering and dry brush techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light and shadow areas.

  3. step 03

    Block in the main colors of the figures and the background, using a limited palette of earth tones.

  4. step 04

    Begin layering paint to build up the forms and textures, focusing on the details of the faces and clothing.

  5. step 05

    Use dry brush techniques to create the rough texture of the stone walls and the ground.

  6. step 06

    Add highlights and shadows to enhance the depth and dimension of the painting.

  7. step 07

    Refine the details and adjust the colors as needed to achieve a harmonious and realistic effect.

  8. step 08

    Add final details like the texture of the basket and the highlights on the figures' faces.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber with raw sienna and small amounts of yellow ochre or cadmium red. Use ivory black to darken values and ultramarine blue to create cool shadows.

techniques

  • ·underpainting
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to facilitate the dry brush technique. Consider using a toned canvas to speed up the underpainting process.

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