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home·artworks·The bedtime story / evening reading hour
The bedtime story / evening reading hour by Felix Schlesinger

plate no. 8440

The bedtime story / evening reading hour

Felix Schlesinger

oil, panelRomanticismgenre paintinginteriorfigurechildbedcurtainbook
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and creating a sense of depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the bed.

  2. step 02

    Establish the overall value structure with a thin underpainting using burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: the walls, curtain, bed, figures' clothing, and skin tones.

  4. step 04

    Begin refining the details of the figures, paying attention to the light and shadow on their faces and clothing.

  5. step 05

    Develop the background elements, such as the wall, curtain, and furniture, using subtle color variations and soft edges.

  6. step 06

    Add highlights and details to the figures and objects to create a sense of realism.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and grey by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations in the shadows and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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