apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Beach at Walberswick
The Beach at Walberswick by Philip Wilson Steer

plate no. 0085

The Beach at Walberswick

Philip Wilson Steer, 1889

oilImpressionismlandscapebeachfiguresseaskyboatssand
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a scene with soft, blended brushstrokes. It also provides practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the figures.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and figures, using thin washes.

  3. step 03

    Establish the values, paying attention to the light and shadow on the sand and figures.

  4. step 04

    Add details to the figures, such as clothing and hair, using small, broken brushstrokes.

  5. step 05

    Paint the boats and distant figures, using lighter values to create atmospheric perspective.

  6. step 06

    Refine the edges and blend the colors to create a soft, hazy effect.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the painting as needed, paying attention to the overall mood and atmosphere.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Mix blues and whites for the sky and sea, adding small amounts of burnt sienna for the horizon. Use burnt sienna and white for the sand, varying the proportions to create different tones. Mix black and burnt sienna for the figures' dark clothing.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Creating harsh lines
  • →Ignoring atmospheric perspective
  • →Using colors straight from the tube without mixing
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2 and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann