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home·artworks·The Beach at Trouville
The Beach at Trouville by Henri Gervex

plate no. 3137

The Beach at Trouville

Henri Gervex, 1879

oilImpressionismlandscapebeachskybuildingseacloudssand
suitable for beginners

This painting is great for learning how to create atmospheric perspective and simplified forms using loose brushstrokes. Students will practice mixing muted colors and capturing the essence of a scene rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of the building.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and building, using thin washes.

  3. step 03

    Develop the sky with layers of gray, white, and hints of blue and purple, blending the edges of the clouds.

  4. step 04

    Add texture to the sand with visible brushstrokes and subtle color variations.

  5. step 05

    Define the building's form with darker values and suggest details with minimal strokes.

  6. step 06

    Paint the sea with horizontal strokes, indicating waves and reflections.

  7. step 07

    Add small details like figures or objects on the beach to create depth.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · payne's gray

Mix muted grays by combining white with small amounts of umber, blue, and sienna. Achieve the sandy tones by blending umber, ochre, and white. Use blue and white with a touch of umber for the sky and sea.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating colors that are too saturated or bright.
  • →Ignoring the subtle value changes that create depth.
  • →Making the building too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·palette knife
  • ·assorted brushes (rounds and flats)

optional

  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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