
plate no. 3137
Henri Gervex, 1879
This painting is great for learning how to create atmospheric perspective and simplified forms using loose brushstrokes. Students will practice mixing muted colors and capturing the essence of a scene rather than precise details.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the horizon line and the placement of the building.
Block in the large areas of color: sky, sea, sand, and building, using thin washes.
Develop the sky with layers of gray, white, and hints of blue and purple, blending the edges of the clouds.
Add texture to the sand with visible brushstrokes and subtle color variations.
Define the building's form with darker values and suggest details with minimal strokes.
Paint the sea with horizontal strokes, indicating waves and reflections.
Add small details like figures or objects on the beach to create depth.
Refine the overall painting, adjusting values and colors as needed.
color palette
primary · titanium white · raw umber · ultramarine blue
secondary · yellow ochre · burnt sienna · payne's gray
Mix muted grays by combining white with small amounts of umber, blue, and sienna. Achieve the sandy tones by blending umber, ochre, and white. Use blue and white with a touch of umber for the sky and sea.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.
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