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home·artworks·The Bay of Naples with Vesuvius in the Background
The Bay of Naples with Vesuvius in the Background by Christen Kobke

plate no. 8425

The Bay of Naples with Vesuvius in the Background

Christen Kobke, 1840

oil, canvasRomanticismmarinaboatswatermountainsskyrockscityscape
suitable for beginners

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle reflections in water. It also provides practice in simplifying complex subjects like mountains and cityscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains, boats, and rocks.

  2. step 02

    Block in the sky with a thin wash of light blue and yellow, creating a soft gradient.

  3. step 03

    Establish the base color of the water, using a mix of blues, greens, and browns, and indicate the reflections of the boats and sky.

  4. step 04

    Paint the distant mountains with muted greens and browns, paying attention to atmospheric perspective by lightening the values as they recede.

  5. step 05

    Add the cityscape on the left side, simplifying the buildings into basic shapes and using darker values.

  6. step 06

    Paint the boats with dark browns and blacks, adding highlights to suggest form and reflections in the water.

  7. step 07

    Add the rocks in the foreground, using a mix of grays, browns, and blacks, and create texture with dry brush techniques.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · viridian green

Achieve the muted tones by mixing complementary colors and adding white to lighten the values. Use yellow ochre and ultramarine blue to create a range of greens for the mountains and water.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to simplify the complex shapes of the mountains and cityscape.
  • →Ignoring the subtle reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes size 2 and 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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