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home·artworks·The Bay of Naples early in the morning
The Bay of Naples early in the morning by Ivan Aivazovsky

plate no. 3663

The Bay of Naples early in the morning

Ivan Aivazovsky, 1897

oilRomanticismlandscapeseaskymountaincloudsfiguresship
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the movement of water. It also provides practice in color mixing to achieve subtle gradations in the sky and sea.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountain, ship, and figures.

  2. step 02

    Establish the sky with broad washes of blue, white, and hints of pink, blending smoothly.

  3. step 03

    Block in the mountain with muted purples and grays, paying attention to the light source.

  4. step 04

    Paint the sea with varying shades of green and blue, indicating wave direction and highlights.

  5. step 05

    Add details to the ship, including masts, sails, and hull, using darker values for contrast.

  6. step 06

    Refine the clouds with soft edges and subtle color variations.

  7. step 07

    Paint the figures on the beach with simple shapes and colors.

  8. step 08

    Add final highlights and details to the waves and reflections to enhance realism.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · cadmium yellow · alizarin crimson · raw umber

Mix blues and whites for the sky, adding small amounts of yellow and crimson for sunrise hues. Achieve sea greens by mixing blues, greens, and yellows, and use white to lighten the values for highlights.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to capture the luminosity of the sky.
  • →Making the wave highlights too uniform and artificial.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·raw umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-prime the canvas with gesso for a smooth surface.

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oil painting for beginners →how to learn by studying the masters →
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