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home·artworks·The Battle of Lexington, 19 April 1775
The Battle of Lexington, 19 April 1775 by William Barnes Wollen

plate no. 1162

The Battle of Lexington, 19 April 1775

William Barnes Wollen, 1910

oilRomanticismhistory paintingbattlefiguresbuildingssmokefieldhistorical
experienced study

Recreating this painting will help students understand atmospheric perspective and how to depict figures in dynamic poses. It also provides practice in rendering details within a complex scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and buildings.

  2. step 02

    Establish the horizon line and the overall perspective of the field.

  3. step 03

    Block in the large shapes of the figures with simplified color masses.

  4. step 04

    Begin to refine the details of the figures, paying attention to anatomy and clothing.

  5. step 05

    Add the background elements, such as the buildings and the opposing army, using atmospheric perspective to create depth.

  6. step 06

    Develop the details of the foreground, including the weapons and the ground texture.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and make final adjustments to the composition and color harmony.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · Prussian blue · cadmium red · yellow ochre

Mix muted greens for the field by combining yellow ochre, Prussian blue, and a touch of burnt sienna. Achieve atmospheric perspective by adding white to background colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the figures look stiff or unnatural.
  • →Overworking the painting and losing the freshness of the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas for better texture. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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