apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Battle of Arques, Normandy
The Battle of Arques, Normandy by Frits Thaulow

plate no. 7678

The Battle of Arques, Normandy

Frits Thaulow

oil, canvasImpressionismgenre paintingbuildingsfigureslandscaperoadtreesvillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It is also a good exercise in color mixing to achieve a harmonious and warm tonal range.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the buildings, figures, and road.

  2. step 02

    Establish the overall warm tone of the sky with a thin wash of color.

  3. step 03

    Block in the main areas of color for the buildings, road, and foliage, focusing on value relationships.

  4. step 04

    Add details to the buildings, such as the thatched roofs and windows, using thicker paint and visible brushstrokes.

  5. step 05

    Define the figures with simple shapes and dark values.

  6. step 06

    Create texture on the road and foliage with dry brush techniques and varied brushstrokes.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and atmospheric effect.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · raw umber · cadmium red light · ultramarine blue

Achieve the warm, earthy tones by mixing burnt sienna and yellow ochre with varying amounts of white. Use small amounts of ultramarine blue to create cooler shadows and muted greens.

techniques

  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much detail in the background, flattening the perspective.
  • →Failing to establish a strong value structure.
  • →Not creating enough variation in brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to enhance the brushwork. Consider using a toned canvas to establish the warm undertones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann