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home·artworks·The basilica of San Bartolomeo all'Isola
The basilica of San Bartolomeo all'Isola by Achille Pinelli

plate no. 9428

The basilica of San Bartolomeo all'Isola

Achille Pinelli

oilRomanticismgenre paintingbuildingfiguresarchitecturecourtyardskymonks
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, figure painting, and creating atmospheric perspective using watercolor washes. It also provides practice in depicting light and shadow on complex forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the building, figures, and other elements, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper to create a warm undertone.

  3. step 03

    Begin layering washes to define the sky, using blues and grays, and gradually build up the tones.

  4. step 04

    Paint the building with diluted washes of raw sienna, burnt sienna, and umber, defining the architectural details and shadows.

  5. step 05

    Add details to the figures, using darker tones of brown, black, and white for clothing and features.

  6. step 06

    Develop the foreground with washes of green, brown, and yellow, adding texture and detail to the ground.

  7. step 07

    Refine the details of the building, figures, and foreground, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as details in the windows, doors, and architectural ornaments.

color palette

primary · raw sienna · burnt sienna · ultramarine blue

secondary · yellow ochre · ivory black · raw umber

Mix browns and grays by combining the primary colors. Use diluted washes for lighter tones and concentrated mixes for darker shadows.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of perspective.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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