
plate no. 6867
Thomas Jones, 1774
Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle gradients, and rendering complex organic forms like trees and rocks. It also provides practice in depicting figures within a landscape setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the mountains, trees, figure, and ruins.
Block in the sky with broad strokes, establishing the gradient from light to dark.
Paint the distant mountains, using lighter, cooler tones to create atmospheric perspective.
Establish the dark masses of the foreground trees and rocks.
Begin adding details to the trees, focusing on the shapes of the branches and leaves.
Paint the figure, paying attention to the drapery and pose.
Add details to the ruins and the foreground rocks, creating texture and depth.
Refine the details and adjust the values to create a sense of depth and atmosphere.
color palette
primary · yellow ochre · burnt umber · titanium white · ultramarine blue
secondary · raw sienna · cadmium yellow · ivory black
Achieve the atmospheric effects by mixing white with small amounts of blue and yellow ochre. Use burnt umber and raw sienna for the earth tones, and mix in white to lighten the values.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke