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home·artworks·The Bandstand
The Bandstand by William James Glackens

plate no. 5261

The Bandstand

William James Glackens, 1919

oil, canvasImpressionismgenre paintingbeachfiguresbandstandskycloudsocean
some experience helpful

This painting allows students to practice capturing a scene with many figures and structures using impressionistic brushstrokes and color mixing to create a sense of light and atmosphere. Students will also learn to simplify complex forms into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bandstand, buildings, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, ocean, and sand using thin washes.

  3. step 03

    Add the main colors of the buildings and figures, focusing on their overall shapes.

  4. step 04

    Begin to define the figures and details of the bandstand with thicker brushstrokes.

  5. step 05

    Layer colors to create depth and dimension in the sky and ocean.

  6. step 06

    Add highlights and shadows to enhance the form of the figures and structures.

  7. step 07

    Refine the details and add final touches to the painting, paying attention to the light and atmosphere.

  8. step 08

    Step back and make any necessary adjustments to the overall composition and color balance.

color palette

primary · ultramarine blue · yellow ochre · titanium white · cadmium red

secondary · viridian green · violet · raw umber

Mix blues and whites for the sky, yellows and reds for the sand, and greens and blues for the ocean. Use white to lighten colors and create highlights. Mix violet from red and blue.

techniques

  • ·broken color
  • ·impressionistic brushstrokes
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the overall composition and focusing too much on individual elements.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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